The Tweets So Far: Pages 1-219

With Bloomsday merely a week away, and with it, the majestic Reblooming of Wandering Rocks, I’ve collected all 219 one-tweet summaries of each page of Ulysses. (Which, henceforward will be conveniently available via a tab header.)

Much love to VOREBLOG, LIZAANNE, BRENDAN, and KATIE, who generously contributed their reductive powers to this dubious effort!

“Telemachus” (Tweets by JERRY GRIT)
P1. Now here we go. Starts with a big “S” in “stately” and then “plump” and that’s all for page 1! Easy.
P2. Buck, Stephen’s roommate in Tower, does mock Eucharist while shaving on roof. A comedian. Calls Stephen up, mocks his seriousness.
P4. Stephen complains about 3rd roommate Haines (eccentric rich Brit), worried about living with a dude with night terrors and a gun.
P5. D’oh! Buck has the horseface! Buck guilts Stephen about his mom’s death & his refusal to pray beside her. She haunts him in dreams.
P6. Stephen wears only black b/c in mourning. Buck holds up a cracked mirror, repeats rumors of Steve’s insanity. Stephen quotes Hamlet.
Will use abbreviations from now on SD=Stephen Dedalus; BM=Buck Mulligan (ha!); UA=Ulysses Annotated.
P7. BM senses that SD is fed up with BM’s bs. BM asks for SD’s trust. Also asks SD to try to borrow money off Haines. Brit-bashing ensues.
P8. SD tells BM that he overheard BM call his mom beastly dead after her funeral. Embarrassed BM plays off, espouses irreverent lifeview.
P9. SD says he was offended, BM tells him not 2 b. Haines calls up 4 breakfast. BM leaves singing. SD alone recalls singing same song 2 mom.
P10. SD broods on mom. Recalls dreaming of hr ghost. SD begs mom 2 leave hm b. BM yells breakfast ready & Haines is sorry for night terrors.
P11. SD dont want Brit’s money, says he’s getting paid. BM says theyll get drunk. SD thinks about bringing BM’s bowl down. Doesnt wanna serve.
P12. 3 towermates sit at table 4 breakfast. BM wants milk. Milkmaid is sighted coming up. BM makes strong tea, refers 2 SD’s stay in Paris.
P13. Irish folklore inside jokes. Old milkmaid comes in. BM makes fun of her reverence. SD recalls Athena’s milkmaid disguise, Odyssey I-II.
P14. BM patronizes milkmaid. SD’s sympathetic to her but resents her submissiveness. Haines (Brit) speaks Gaelic, but maid doesnt understand.
P15. Haines guilts BM 2 pay milkmaid. BM underpays. Maid leaves. BM begs SD 2 bring money 4 drinks. BM 2 swim with Haines. SD doesn’t bathe.
P16. SD quips agn. Haines wants 2 collect SD’s quips. BM tries 2 get SD 2 ask Haines 4 $. SD refuses. BM resigned, says SD needs 2 play them.
P17. All get dressed 2 leave, SD takes cane & tower’s only key. All 3 walk together. Some tower talk. Haines asks 4 SD’s Hamlet theory.
P18. BM makes fun of theory, SD lets him. Haines says tower recalls Elsinore, one-ups w/another theory. SD feels odd as the only 1 in black.
P19. BM sings his own song about a joking Jesus, dances away. Haines laughs but says 2 SD he shouldn’t. Asks if SD a believer, SD rebuffs.
P20. Haines criticizes personal god idea. SD says SD’s misunderstood. SD knows they want 2 take the key. SD says SDs servant 2 church&England.
P21. SD’s esoteric thoughts about Church heresies, links thm 2 BM. Haines’ an antisemite. They watch boats. Mention Milly Bloom’s dirty? pic.
P22. BM gets ready 2 swim w/another dude already in sea. Old dude jumps out of sea. Redheads are horny liars. BM says he’s Adam, asks 4 key.

“Nestor” (Tweets by VOREBLOG)
P23. SD gives BM key & money. BM extols theft & swims. Haines says theyll meet later. SD leaves knowing he’s been screwed & can’t come back.
P24. SD teaches remedial History. One student thinks Pyrrhus was a pier. Classmates chortle.
P25. SD perplexes class with “a disappointed bridge.” Indulges in reverie about Aristotle, gets swarthy kid named Talbot to read Milton.
P26. More Aristotle: “Thought is the thought of thought.” Class winds down and asks for a riddle. SD tells a terrible one.
P27. punchline: “The fox burying his grandmother under a hollybush.” Wah-wahhh. SD misses his mom. Ugly kid fails math but mom loves him.
P28. Torturous math problem. Makes SD think about Hamlet again. Ugly kid just wants to go outside and play hockey.
P29. Enter Deasy. He’s our Nestor: Blowhard, also pompous, self-righteous and misogynist. Now he’s the teacher and SD is the student.
P30. Deasy pays SD, says “Money is power,” takes Shakespeare out of context. Deasy paid his way — the pride of the English!
p31. Greasy Deasy laughs at SD’s debts, calls him a fenian, then lectures him on The Potato Famine. This guy’s a royal prick.
p32. Deasy asks SD to deliver a letter to the papers. He types, SD reminisces about the racetrack and playing hockey (”the joust of life”).
p33. Deasy’s letter is about … foot and mouth disease? Cue anti-Semitic bluster!
p34. Deasy really hates the Jews. SD wants to awake from the nightmare of history, hears God in “a shout in the street.”
p35. Deasy to SD: You’re not a born teacher. SD to Deasy: “A learner rather.” SD rustles the sheets, really wants this conversation to end.
p36. Deasy has to get in one last anti-Semitic joke. It’s bad. He’s a sad, phlegmy blowhard. SD says nothing; at last he’s free of him.

“Proteus” (Tweets by JERRY GRIT)
P37. SD walking on strand, attempts 2 reach essence of reality beyond protean sight&sound. A lonely egghead. Sees nurse who delivered him.
P38. SD thinks: umbilical as phone line 2 Eve; the inconsequence of his parents. Remembers: Deasy’s letter; 12:30 meet @bar; visit w/aunt.
P39: SD imagines dad mocking aunt’s family. Recalls past visit. Uncle Rich a bedridden opera-loving drunk, son Walt studders. SD’s ashamed.
P40. SD still lost in thought, mocks own rebelliousness, earnestness & ambition. Recalls own perverted prayers 2 see naked ladies.
P41. SD lost in thought along polluted bay, realizes passed aunt’s house, bird associates. Recalls meeting son of Kevin Egan, expat in Paris.
P42. SD recalls living in & coming back from Paris; the unpunctuated telegram about dying mom; Egan as Fenian hero compared 2 his wimp son.
P43. SD recalls being sought out by Egan in Paris; Egan tells Irish indep mvmt war stories & asks SD 2 tell son in Ireland that he’s ok.
P44. SD thinks Ireland forgot Egan. Looks up @ tower, knows he won’t be going back. Sits on rock, looks @ bloated dog body floating in bay.
P45. SD scared by a dog running @ him. Mocks own cowardice, recalls BM’s bravery in saving drowning man. Links self 2 Irish history of fakes.
P46. SD recalls man drowned 9 days before & mom’s death. Sees dog’s owners. Dog barks @ cocklepickers, sniffs bloated dog, pees on rock.
P47. SD recalls last night’s dream of being led by a melon-seller 2 see someone. Sees gypsy c-pickers leave, has dirty thoughts about lady.
P48. SD inspired w/poetic lines, writes on paper from Deasy letter. Looks @ shadow, tries 2 reach the ideal again, recalls girl from monday.
P49. Thinking about girl, SD maybe masturbates. Borrowed boots makes SD recall wearing girls shoes in Paris. SD pees on rocks. Tide comes in
P50. SD thinks again of drowned man’s corpse, Lycidas. Thirsty, rises 2 go 2 meetup w/BM @ bar The Ship. Has bad teeth. Realizes hanky lost.
P51. SD picks nose. Doesn’t care who sees. But worried he’s being watched. Looks out 2 ocean, sees ship w/3 masts, look like 3 crucifixes.

“Calypso” (Tweets by LIZAANNE)
54-Big M
55-Leopold Bloom is introduced by his love of organ meats, how he makes b-fast, & talks to the cat–he anthropomorphizes as pretty but cruel
56-LB watches cat drink; decides on kidney for b.fast; checks on wife- she mumbles; considers loose bed springs; puts on hat w/ hidden paper
57-LB leaves key behind so won’t have to disturb wife, wanders down street in good mood; daydreams about exotic East– knows is just fantasy
58-LB greets shopkeeper after considering property values-wonders how he made his money; passes by school– hears lessons; arrives @ butcher
59-LB oogles meat & servant girl in shop; reads ads from cut sheets-thinks of cattlemarket; places order, wants to hurry so can follow girl
60-LB buys sausage, avoiding eye contact w/ butcher; saunters back towards home, reading posters cut sheets adverting far-away farms; leads 2 daydream
61-recalls estranged friends; cloud brings dark thoughts of barren land & people; thinks of home & Molly 2 cheer up; @ home finds mail on mat
62-LB delivers postcard & letter 2 Molly in bed; moves dirty clothes; makes tea; cooks kidney; scans letter from daughter w/ fond memory
63-LB takes b-fast tray 2 Molly, sees she has opened letter; LB lavishly describes her body; letter is from her manager Boylan about concert
64-M asks L 2 define “metempsychosis” from her smutty book; he tries; he recalls day they met & how much he hates circuses; M wants new book
65-still explaining migration of souls; puts book in pocket; kidney burns; LB rescues it & eats alone in kitchen; thinks of daughter’s note
66-Milly’s letter:dad’s girl having 1st adventure; LB thinks of her birth & little boy who died @ birth; LB=fond but not overprotective dad
67-LB recalls Milly’s adolescence; regrets that he can’t keep her innocent & connects to “seaside girls”; LB picks what 2 read in outhouse
68-LB considers planting a garden; wonders about where he left his hat & if he’ll have time for a bath; uses “jakes” w/ door open; reads
69-”titbit” parallels to LB’s toilet use; wishes were writer; recalls scribing conversations w/ Molly; remembers morning after met Boylan
70-LB converts story to toilet paper; inspects suit & wonders what time is funeral; hears churchbells & ends w/ “Poor Dignam!”

“The Lotus Eaters” (Tweets by VOREBLOG)
71. LB takes circuitous route to post office. Distracted by copy of tea ad. Imagines the far east, land of “big lazy leaves,” idleness.
72. LB tries to recall high school physics before sending his letter & receiving one, addressed to “Henry Flower.” Bloom’s pseudonym.
73. LB about to read letter when M’Coy interrupts him. LB not good at small talk. Spots a woman getting into her cab, starts fantasizing.
74. LB completely tunes out M’Coy, hopes for a glimpse of leg. Blocked by tram. Paradise and the peri: so near to paradise, but not quite.
75. LB now distracted by potted meat ad. Husbands talk about wives, both singers. M’Coy asks LB 2 write his name in funeral register.
76. LB disparages M’Coy: A homosexual? Leah is playing tonight, causes Bloom to reflect on dad’s death (suicide).
77. LB bonds w/castrated horses. (Everyone is impotent.) Finds flower pinned to Martha’s letter. Martha’s a bad speller
78. Martha’s letter: “You’re a naughty boy!” Wants 2 meet Bloom & know what perfume Molly uses. LB thinks of manflower, cactus, nightstalk.
79. LB thinks of Mary & Martha. Tears up letter & scatters the shreds. The word ‘bungholes’ also appears on this page.
80. LB enters church, thinks of missionaries in China. The Good News=opium? Wants 2 sit next 2 a woman. Priest administers the sacrament.
81. LB misreads I.N.R.I. & I.H.S. Thinks of Molly’s letter, then ‘crawthumper’ Carey. Wonders: Why not Guinness for the chalice?
82. Choir loft makes LB think of Molly in Stabat Mater, “old sacred music,” eunuchs. Worship through eyes of an outsider: strange routines.
83. Confession: Not for everyone, but effective. LB ducks out before the offering, discreetly buttoning as he goes.
84. LB stops @ chemist’s 2 order Molly’s lotion but recipe (and key) are in his other pants. Asks chemist 2 check his files.
85. LB places order & buys soap. Unwittingly gives winning tip on horse race [Throwaway] to Bantam Lyons.
86. LB walks toward public baths, greets Hornblower, ponders cricket, anticipates lying naked in bath. Penis = ‘languid floating flower.’

“Hades” (Tweets by KATIE)
87. We meet Martin Cunningham, Mr. Power, Simon Dedalus (in person) getting into the carriage in front of Dignam’s with LB in last.
88.On their way thru town to funeral.LB points out Stephen to Simon.Simon asks if BM is w/him. Rants about how much BM sux.LB thinks of Rudy
89. LB reflects on Milly growing. Men express disdain for crumbs in carriage. They get stopped at the grand canal.
90. LB thinks of his father’s death and the dog, Athos, he inherited. Men chat about weather, mock a few mutual acquaintances, read obit
91. LB tries to remember what he did with letter,passes Blazes Boylen just as he’s thinking of him, examines nails and tries to ignore him
92. LB talks of Molly’s tour w/the finest musicians, dwells on Power calling her Madame, thinks of her then of Powers alleged mistress
93:Men spot Dodd a jewish money lender all have been to but LB. LB tries to tell funny story about Dodd & his son but MC keeps interupting
94. LB starts to tell joke about Dodd’s son almost drowning, MC steps all over it. finishes story. much laughter
95. men discuss sudden death of PD. LB thinks it’s best to go quickly. Other men seem to disagree. They see a child’s coffin.
96. Men remark on child’s coffin. JP says suicide is worst death.MC says to reserve judgement knows how LB’s father died.LB appreciates that
97. It’s finally blatantly stated thru Lbs thoughts that his father died of suicide. They pass by cattle. Carriage is stopped again.
98. LB ponders a new tramline that could carrya coffin.They remember a coffin falling out of a carriage before. LB thinks of PD falling out
99. LB details the scenery, crossing over canal, the man on the turfbarge, the stonecutter’s yard, a tramp on the side of the road…
100. They pass by a home where a murder took place, get to cemetery, notice how few carriages are there
101. men see Dignam’s family at cemetery. Coffin is carried. MC scolds JP about talk of suicide. JP didn’t know about LB’s father
102. Men discuss the Dignam family.LB ponders widowhood. Small talk with Ned Lambert. Discuss money collection for the family.
103. LB sees PD’s son, wonders if he was there when PD died. LB at back of church. LB’s mind wanders during requiem mass all the way to gas
104. LB’s mind continues to wander, ponders the service, altar boys. The mass ends.
105. Simon sees his wife’s grave, weeps. Catholic men comfort him that she;s in heaven. Kernan and LB chat, both do not practice Catholicism
106. JH Menton inquires as to who LB is. He remembers Molly, wonders aloud why she would be w/LB.
107. Men run into caretaker there, He tells a funny story about two drunks looking for their friend’s grave.10:36 PM Jul 28th from web
108. LB thinks about how the caretaker got a wife to live in the cemetery, raised a family there & how the bodies will decompose over time
109. LB still wondering about decaying bodies, the cemetery and the idea of burials. PD’s coffin is placed in the grave.
110. LB thinks about the idea of coffins, notices the mystery “man in the macintosh” is the 13th one there
111. LB thinks of his plot, how terrible it would be if PD was alive thru this. Burying the coffin. Hynes takes names doesn’t know LBs 1st
112. Hynes & LB don’t know who MinM is or how he’s vanished so quickly. They finish burying coffin. Dignam fam places wreaths on it
113. walking to Parnell’s grave. LB thinks $ on burial better spent on the living. Thinks of all the dead, once like him.
114. LB thinks:how could we remember everyone who’s died anyway?cheese=milk corpse, cremation>burial,eager to get outta cemetery
115. MC comes w/JHM. LB recognizes,says it was hate @1stsight,pts out JHM’s hat is crushed,JHM pauses,MC pts it out 2,only then does he fix

“Aeolus” (Tweets by BRENDAN)
116. Trams on Sackville Street near General Post Office. Language reverses like traffic. Dullthudding. LB at Freeman’s Journal.
117. Editor arrives, steered by Umbrella. Door whispers. WB’s face likened to Jesus’. Or a tenor’s. LB wants to place Keyes’ ad in FJ.
118. Hynes here with account of PD’s funeral. Machines rule the world. LB seeks Nannetti: politician and printer, Italian and Irish
119 LB would like to answer reader’s queries, learn by teaching. LB remembers Hynes’ debt. Canvasser at work.
120. Printing machinery clanks, throbs. Paper uses? Wrap up meat. LB describes ad concept, will need design from Kilkenny paper.
121. Cemetery symmetry. JHM brought to mind. Phiz = face. Almost human machine sllts, door creaks, everything speaks in its own way.
122 PD backwards print, reading backwards, Jerusalem, house of bondage. Life: everybody eating everyone else. Could go home just to see? No.
123. Ned Lambert, Prof. MacHugh & Simon Dedalus at Evening Telegraph office. M murmurs biscuitfully. Mocking windy words, nationalism.
124. Sad. J. J. O’Molloy in decline. What’s in the wind? Money worry. Reaping the whirlwind.
125. O’Molloy works with Gabriel Conroy, who dismissed Romantic Nationalism in The Dead. Shite and onions, life is too short.
126. Ned & Simon need a drink. Editor returns, recalls memorable battles.
127. Dental floss twangs – bingbang, bangbang. Bloom makes his phone call. Aeolian (Eolian) Harp: national emblem of Ireland.
128. Files crack, bell whirrs, Bloom exits – to see Keyes at Dillon’s Auction House.
129. The gallant Lenehan has arrived and bumped into Bloom. The editor seems well on, keys jingling.
128. Files crack, bell whirrs, Bloom exits – to see Keyes at Dillon’s Auction House.
127. Dental floss twangs – bingbang, bangbang. Bloom makes his phone call. Aeolian (Eolian) Harp: national emblem of Ireland.
126. Ned & Simon need a drink. Editor returns, recalls memorable battles.
125. O’Molloy works with Gabriel Conroy, who dismissed Romantic Nationalism in The Dead. Shite and onions, life is too short.
124. Sad. J. J. O’Molloy in decline. What’s in the wind? Money worry. Reaping the whirlwind.
123. Ned Lambert, Prof. MacHugh & Simon Dedalus at Evening Telegraph office. M murmurs biscuitfully. Mocking windy words, nationalism.
124. Sad. J. J. O’Molloy in decline. What’s in the wind? Money worry. Reaping the whirlwind.
125. O’Molloy works with Gabriel Conroy, who dismissed Romantic Nationalism in The Dead. Shite and onions, life is too short.
126. Ned & Simon need a drink. Editor returns, recalls memorable battles.
127. Dental floss twangs – bingbang, bangbang. Bloom makes his phone call. Aeolian (Eolian) Harp: national emblem of Ireland.
128. Files crack, bell whirrs, Bloom exits – to see Keyes at Dillon’s Auction House.
129. The gallant Lenehan has arrived and bumped into Bloom. The editor seems well on, keys jingling.
130. Calumet: peace pipe: cigarettes passed from O’Molloy to Lenehan & the professor. Thanky vous.
131. We musn’t be led away by words. The Romans never set foot in Ireland? Prophet Pilate’s Roman law condemned Jesus. Here comes Stephen.
132. SD gives Deasy’s letter to editor Crawford. Deasy’s wife spoken of. Brought sin into the world.
133. Professor likens Greeks to Irish – the spirituality and intellect superior to would-be masters, Romans and English. Lord have mercy.
134. Lenehan is gas craic with his riddles – Rows of Cast Steel (sounds like an Atlas Shrugged opera). Crawford accepts Deasy’s letter.
135. MC wants Stephen to write something with a bite – SD is reminded of a bad time in Clongowes. Little schemer.
136. Phoenix Park murders recalled – Skin-the-goat involved. His cabby’s shelter will feature later. Bloom phones, told he can go to hell.
137 MC reliving past glories of murder coverage. Old woman of Prince’s street = Freeman’s Journal. Clever, Very.
138. Whiteside, Butt & O’Hagen were barristers, orators, Home Rule supporters. Rhymes and Reasons: SD echoes Dante’s multicolored words.
139. MC indignant, still proclaiming the Journal’s mighty works. Hamlet referenced. How does the ghost know how he died?
140. Stephen mooed by language. Determined the aftercourse. More oratory recalled. AE = George Russell.
141. Revival of Irish tongue. A push to re-establish the Irish language in 1890s. O’Molloy does a terrible re-enactment of Taylor’s speech.
142. Stephen wants to speak noble words but his words are Augustine’s. O’Molloy mentions Moses.
143. Stephen thinks of Daniel O’Connell, dead before entering the promised land of an Irish free state. Daniel, the tribune, spoke at Tara.
144. Meeting adjourned, they head for a pub. Sack of windy troy – overt Homeric reference. Stephen has much to learn.
145. Stephen has a story of Dear Dirty Dublin: vestal virgins at the top of Nelson’s Pillar with 24 plums. WTF?
146. KMA. Bloom returns with a proposal from Keyes for Crawford, who says Keyes can Kiss his arse. Breathless.. whirl… bellows. More wind.
147. Qualls – Bloom & Dedalus almost together at last. Bloom dissed again. Some column! Nelson’s pillar, you see.
148. Onehandled adulterer may be a mastabatoom reference, if you catch my drift. More of the plums story.
149. Becalmed trams. Parable of the plums, plumping for old man Moses. Is the artist bitterer against others or against himself?
150. Aeolus closes with a bang, or a onehandled tickle. Titillating digits, you see. Funmary to come – https://wanderingrox.wordpress.com.

“Lestrygonians” (Tweets by JERRY GRIT)
151. LB wandering, handed religious flyer. Recalls glowing cross they lived by before. Sees SD’s sister. Criticizes church on contraception.
152. Thinks priests r fattys. SD’s sis looks starved. On bridge, sees beer barge, recalls Dodd joke. Tosses flyer 2 gulls. Admires gull wit.
153. Buys cakes 4 gulls. Wonders about swanmeat, why saltwater fish ain’t salty. Sees floating ad. Recalls ad placed @ urinal by clap doc.
154. Worries Blazes will give MB the clap. Thinks about parallax. Admires MBs common wit. Sees bad ad from old job. Recalls boss’ stupidity.
155. Recalls how hard it was 2 get nuns 2 pay. A nun invented barbed wire. Recalls happier days with MB before Rudy died. Walks along curb.
156. LB recalls better times w/MB, the night Rudy conceived. Runs into old flame Mrs Breen. Have small talk. Milly’s like a house on fire!
157. Breen asks about LB’s mourning clothes. Funeral talk. LB asks about husband. Mr Breen is nutz. LB smells food. Breen rummages in purse.
158. Breen describes Mr. B’s nightmare about dark figure & postcard rec’d w/only “U.P.” on it. He’s trying 2 sue. LB thinks about food.
159. Talk of Mina Purefoy’s troubled pregnancy, 3 days in labor. Another nut w/a long name walks by. Reminds Breen 2 get her nutty hubby.
160. LB thinks Alf sent U.P. card as bad joke. Passes Irish Times. Recalls ad placed 2 start sexy letters w/Martha C. LB bought ladys panties
161. LB pities Purefoy, Thinks about breastfeeding pain, that its time 2 invent painless pregnancy, how 2 promote savings. Heads 2 library.
162. LB recalls MBs pregnancy. Sees birds, covets aerial pooping. Sees cops, weak when eating. Poet statue @urinal. No public potty 4 ladys.
163. LB recalls run-in w/cops at antiBrit protest. Thinks Corny an informer, how Brits get youth 2 rat. Admires Sinn Fein’s cell structure.
164. LB thinks of diff’t approaches 2 Irish Home Rule movement, but politics don’t change anything. Rich get richer. LB feels eaten&spewed.
165. Coincidences. Sees lesser bro of famous nationalist Parnell & AE, famous poet & Lizzie Twigg’s boss. AE is vegetarian, which LB mocks.
166. LB recalls unsuccessful vegetar’n attempt. Poetic impulse might b caused by diet. Windowshops 4 glasses. Folks lose stuff. Looks @ sun.
167. Wants 2 visit observatory 2 ask about parallax. But won’t change anything. Thinks of happier times w/MB, then of Boylan & lovers codes.
168. Recalls how life changed after Rudy died, no sex w/MB since. Ogles ladies underthings in shop. Knows he can’t go back. Goes 2 eat.
169. Goes 2 The Burton, filled w/men eating sloppy food. Wonders if he looks as sloppy eating. Place is gross. Wants 2 leave. Men order food
170. More revolting eating. Decides 2 go 2 Davy Byrne’s instead. Thinks of the horror of a communal eating future, would make men monsters
171. LB now thinks vegetarianism may not b bad. Enters Byrne’s clean quiet pub. Flynn’s there. Sees potted meat on shelf, still mad about ad
172. Orders a gorgonzola cheese sandwich. Flynn asks about MB’s concert tour and Boylan. LB plays cool, pays 4 sandwich, puts mustard on
173. Worries Flynn knows, but decides he’s dumb. Flynn praises Boylan’s boxing gambling. Flynn asks 4 horserace tip. Bloom eats, admires bar
174. Horserace talk from Flynn. Chix dig cold noses&beards&dogs. LB likes wine w/sandwich, thinks can go home @ 6 & that we eat odd things.
175. Who 1st thought 2 eat oysters? People who eat tainted food, special food. LBs waiter fantasy. Sees flies doink. Wine is LBs #madeleine.
176. LB recalls doink’g MB on Dublin coast as goats watched. MB fed LB like a momma bird. Not anymore. LB ponders bar, curves, divine butts.
177. LB goes potty. Flynn & Boyle talk about LB, his mourning dress, MB’s a tasty piece. Flynn thinks LB rich b/c he’s a Mason. Bores Boyle.
178. Boyle says LBs decent, not a drunk. Reluctant Flynn agrees but that LB wont sign anything. Enter Leonard, Lyons, Rochford. Order drinks
179. More horserace talk. Lyons still thinks he got a betting tip from LB. LB exits potty, waves, exits pub. Sees dog eat, heads 2 library.
180. LB thinks opera, calculates future earning, silk petticoat gift 4 MB, but not 2day. Asks 2 help young blindman cross street, consents.
181. Helping 2 cross, sensitive 2 not condescend. LB ponders blind life: mistreatment, misunderstanding, how other senses become stronger.
182. Ponders blinds’ sex, dreams, life. Adjusts himself. Recalls NY General Slocum disaster. Sees judge Falkiner, only drinks vintage wine.
183. LB passes Mercer Hospital, recalls Handels Messiah presented as benefit 4 it. SEES BOYLAN. Averts eyes, heart races, checks pockets.

“Scylla and Charybdis” (Tweets by LIZAANNE)
184-We’re back in SD’s head as he talks to librarians, feeling superior. Amid literary jokes, conversation of poets, Paradise Lost & Hamlet.
185-Russell argues art=ideas a la Plato; SD is over-polite then thinks of holy trinity, eastern religions & literature.SD=sacrificial butter
186-J.E. tries to start debate b/w Plato & Aristotle, but no dice. Haines was reading Lovesongs but has gone.Guys think him “penitent thief”
187-Best revives Hamlet discussion & teases French; Hamlet ending foreshadows holocaust? 1st mention of 2x dangers (saxon/yankee; devil/sea)
188-SD prepares to defend position that King Hamlet =Shakespeare; sets scene, invokes muse, conjures images of fathers & sons (Ham & Shakes)
189-Anne Shakespeare guilty queen? Russell says “who cares?” SD holds his tongue b/c owes Russ cash.Typically, SD defends debt w/ philosophy
190-SD makes dreadful puns. Anne=SD’s momvia flashback. JE wonders if Anne was mistake best forgotten;SD says was “portal of discovery”
191-more puns; did Anne’s seduction of Shakes influence all his female characters? SD says it’s so. JE invites Best to party– of mysticism?
192-poets’ gathering; Haines invited.”necessity” defined.Moore & Mulligan=Quixote y Sancho.Cordelia=Dulcinea? SD gives Russ letter 2 publish
193-librarian asks SD if he thinks Anne was unfaithful; he agrees gracefully. Then imagines Shakes’ & his own women.ponders might have beens
194-JE says Shakes’s life is enigma & challenges SD to prove Shakes not Hamlet;SD says how past, present, & future become 1. Best confused
195-“There can be no reconciliation if there has not been a sundering” says SD. rejects Shakes=Bacon; Argues that birth of Marina is upturn.
196-Quaker urges SD to publish theories;SD says Dark Lady is wooed badly b/c Shakes lost confidence after Anne seduced him. SD poisons ears.
197-king’s ghost knows b/c of God; Shakes hides from self behind own creation then becomes ghost. Buck enters & SD goes dark.Trinity=Shakes?
198-Quaker tries to make peace. Buck teases. Actress is playing Hamlet; Wilde’s version of who wrote sonnets; “Of course, it’s all paradox”
199- SD jealous of Buck; Buck mocks SD’s telegram & asks if he drank away the money. Says Aunt will go to SD’s father. Buck keeps the tele
200-SD is blamed for Buck’s pranks; remembers France & meeting Faunman. Bloom enters library looking for newspaper & ad to copy
201-Buck teases Jew, then says LB knows SD’s dad. JE asks for more on Anne; SD talks of Shake’s London lovers. Anne=Penelope under doubt
202-What did Anne do? SD suspects Shakes loved a man at court; Anne took a lover. SD says case is proven by no mention of Anne by Shakes
203-JE repeats old explaination of Anne & Shakes’ will. SD rebuts that Shakes was not poor & deliberately neglected Anne b/c she broke vows
204-Other old wills used as contrast; Buck says Shakes died drunk. SD ignores interruption & says Shakes was tight w/ cash, like Shylock.

D’Oh! The tweets crapped out at page 204! I will get us to 219 by the weekend.

Ulysses Funmary # 9: Scylla & Charybdis

Ok– it is long past time for me to write this funmary, but admittedly I’ve been bogged down in the minutie of academia (not unlike our librarians here).  So, after far too much ado and many apologies, through the twin dangers we must sail.

Now, in The Odyssey, Odysseus knows what dangers await him.  He has advanced warning from Circe (remember her?) and chooses to lose a few crew members to the many-headed monster Scylla rather than to lose his entire ship to the whirlpool of Charybdis.  We see just an echo of this as Steven Daedalus sails cautiously into the librarian’s discussion: “A hesitating soul taking arms against a sea of troubles, torn by conflicting doubts” (184).  We also get our first hint of how heavily Shakespeare and Hamlet are going to feature.  Despite his hesitations, though, Stevie soon jumps into the argument with both feet (and several other body parts as well).

In fact, take a moment to Brush Up Your Shakespeare and your Hamlet, ladies and gentlemen.

Don’t we all feel better about things now?

Odysseus and his crew spend their time gawking at the revolving, churning, spewing, and generally attention-seeking Charybdis.  Meanwhile, Scylla sneaks up behind from her cliff and grabs up 9 of the sailors for a snack.  Our Joyce has pulled a similar trick with this section.  He has us all gaping agog as Stevie argues round and round about Shakespeare, Hamlet, Anne, and assorted other personages{few of Stevie’s arguments are new ones, and most are terribly outlandish, but doesn’t he describe them well!}, so we nearly fail to notice the crucial things happening in the background.

What exactly is happening behind the scenes, you ask?  Well…

I’m sensing a list coming on:

1. Our characters are all gathering: Stevie, Buck, and Leo are all together at the same time, and young Kinch has just been and gone.

2. We are finally getting to see Stevie away from the world that makes him so uncomfortable.  While firmly entrenched in his murky library, he feels like the master puppeteer– manipulating minds with his words.  It is only at the end of the section that he reemerges “into a shattering daylight of no thoughts” (215).

3. Stevie, though he claims not to believe in his own argument, is living proof of his own “ghosting” theories.  Having left Ireland as a young man, he has returned to its shores to act out his scenes without truely experiencing them.  He cannot connect with the world around him, and instead lives in foggy flashbacks of his mother, his father, and his regrets.

4. Though he feels most comfortable in their company, we get the distinct feeling that the librarians are mocking Stevie– winding him up and watching him go through his dance.

Yet, for all the foaming verbiage of this chapter, despite its hushed reading room setting, Our Hero (well… our boyo at any rate) navigates himself safely and ends the section in a peaceful place, free from any foreboding omens, and on his way to the nearest pub.

Up next… Our Namesake!

ULYSSES Funmary #7: Aeolus (plus pp. 134-150)

By Brendan

Jaysis, there were a lot of windbags in this episode – windbags talking about windbags. We see again that there’s not enough room for Bloom – after being “tight” in the carriage, he’s bumped into by the Gallant Lenehan. And verbally dissed by Crawford.. And pretty much ignored by everyone else.

Another example of the immediacy of Ulysses: while pondering the ad of Keyes, Bloom thinks ahead to the Horse Show in August. Guess what’s happening in Dublin this month? The Horse Show!

It was good to see Gabriel Conroy mentioned (he of “The Dead,” who passed Daniel O’Connell’s statue, the same statue passed by Bloom in a previous episode and by me last month). Daniel (and Parnell) died before reaching the promised land of an Irish Free State. Joyce, writing about a location near the General Post Office would have known the events that transpired there – the eye of the revolutionary storm that fateful Easter. His book reconstructs the buildings and personalities that only existed before 1916.

I was struck that Gone with the Wind and “Tara” are mentioned on the same line. Coincidence? Perhaps. 

Familiarity with Shakespeare is valuable when reading Ulysses – the thrill of a recognized reference. As someone who would recite Hamlet’s soliloquies when drunk, this aspect of Ulysses is vastly appealing. “Lay on McDuff!”

What did you think of Stephen’s Parable of the Plums? Frankly my dears, I thought it a bit of a stretch. Two spinsters spilling their seed onto Dear Dirty Dublin streets. I get tired of getting jerked around by Joyce. The frigger is taking the mickey, so he is. Poor old Jamesy would get a laugh out of the fact that the powers that be in Dublin put a giant “spire” where Nelson’s Pillar once stood. This most phallic of structures was incomplete for a time and earned the nickname “pointless.” Much like the “Aeolus” episode.

Nah, Jamesy, I’m only slagging.

What I liked about this episode: Bloom’s humanity shining through. From “poor papa” to not telling Nannetti his business to noticing Stephen’s boots, this most human of humans hopes all things, endures all things, never fails, strides on jerkily.

ULYSSES pp. 109-115 “Hades”

By KATIE ELSE

Finally! The last of Hades (except for my probablynotgoingtobethatfunmarization)

The tweets:

109. LB still wondering about decaying bodies, the cemetery and the idea of burials. PD’s coffin is placed in the grave.

110. LB thinks about the idea of coffins, notices the mystery “man in the macintosh” is the 13th one there

111. LB thinks of his plot, how terrible it would be if PD was alive thru this. Burying the coffin. Hynes takes names doesn’t know LBs 1st

112. Hynes & LB don’t know who MinM is or how he’s vanished so quickly. They finish burying coffin. Dignam fam places wreaths on it

113. walking to Parnell’s grave. LB thinks $ on burial better spent on the living. Thinks of all the dead, once like him.

114. LB thinks:how could we remember everyone who’s died anyway?cheese=milk corpse, cremation>burial,eager to get outta cemetery

115. MC comes w/JHM. LB recognizes,says it was hate @1stsight,pts out JHM’s hat is crushed,JHM pauses,MC pts it out 2,only then does he fix

These final pages of “Hades” begin with the gravediggers burying Dignam’s coffin. And it is here that we meet the enigmatic man in the mackintosh coat, the thirteenth mourner to join the group. He seems to appear out of nowhere and disappear just as mysteriously.

We are privy to more of what we’ve come to learn about Bloom. His pracitcal nature and humanist tendencies lead him to believe the ritual and money spent on funerals and burial is a waste and better spent on the living. This is illustrated in the Dignam family’s predicament; they are in financial straits after his passing but still need to come up with the money for his funeral and burial.

We again see a lack of sentimentality on Bloom’s part when it comes to death. He wonders how one could remember those who have passes anyway. Eventually they would just fade away unless you had devices, like gramophones, to capture them.

Also, in these pages, we see the heart referenced in another way, in what it means to Catholic Ireland. The Sacred Heart of Jesus is one of the greatest devotions in the Catholic Church with its own feast day.

And finally, the men get to escape Hades through the glimmering, open gates of the cemetery. But not before Bloom has a run in with his old frenemy, Menton. Who, even though Bloom is trying to be helpful, will not, almost can not, speak to him, just as Ajax was still angry with Odysseus and would not speak with him in Hades.

Who do you think the man in the mackintosh coat is or is he kind of a non-character who is supposed to symbolize something? 

Do you think Bloom is really unsentimental about death or is it because he was not particularly connected to Dignam? While he claims it would be impossible to remember the dead after too long, he seems to easily conjure pictures of his own son. But that could just be because, well, it’s his son.

Besides Odysseus and Ajax, Bloom and Menton, who are some of your favorite frememies from literature and mythology (The Hills does not count, even though some of them have ‘written’ books).

Check back tomorrow (not in 2 weeks, you say?) for the Hades funmary. My posts have been sersiously lacking in funny pictures so I will try to remedy that. TGIF!

ULYSSES pp. 101-108 “Hades”

By KATIE ELSE

First and foremost, eat my tweets! 

101. men see Dignam’s family at cemetery. Coffin is carried. MC scolds JP about talk of suicide. JP didn’t know about LB’s father

102. Men discuss the Dignam family.LB ponders widowhood. Small talk with Ned Lambert. Discuss money collection for the family.

103. LB sees PD’s son, wonders if he was there when PD died. LB at back of church. LB’s mind wanders during requiem mass all the way to gas

104. LB’s mind continues to wander, ponders the service, altar boys. The mass ends.

105. Simon sees his wife’s grave, weeps. Catholic men comfort him that she;s in heaven. Kernan and LB chat, both do not practice Catholicism

106. JH Menton inquires as to who LB is. He remembers Molly, wonders aloud why she would be w/LB.

107. Men run into caretaker there, He tells a funny story about two drunks looking for their friend’s grave.10:36 PM Jul 28th from web

108. LB thinks about how the caretaker got a wife to live in the cemetery, raised a family there & how the bodies will decompose over time

At this point in the chapter, they have arrived at the cemetery and the coffin is being carried in for the funeral rite.  Bloom is empathic towards the Dignam family but when the Mass begins his thoughts are detached, humorously, at times. He remains in the back, kneeling on his newspaper and hat attempting to make it more comfortable (doesn’t he know Mass is supposed to be uncomfortable??). He is barely engaged in the Mass while occasionally tapping in to comment on the monotony of it all, made worse by the use of Latin. This is another example of his disconnection from those around him; he is not participating nor wants to. 

Bloom’s approach to death could not be more different than the gentlemen he’s with. To him, after death there is nothing, nada, zip. This pomp and circumstance is meaningless and he doesn’t see the practically of it. Instead, he envisions burying the dead vertically to maximize space and using the bodies to fertilize the soil. He sees it scientifically, as part of the cycles of life. He can not participate in the consoling of Simon when he weeps upon seeing his wife’s grave. The other men use to consolation of heaven. 

We’re introduced to Tom Kernan, the only other non-practicing Catholic in the group. But even he concedes that the Biblical quote used in the Church of Ireland service, “I am the way the truth and the life” touches ones heart, presumably not knowing that same line is used in the Catholic Mass but in Latin. But on the subject of the heart (which is the organ assigned to “Hades”) Bloom is not sentimental; that doesn’t ‘touch’ his heart. He sees the heart as an organ that stops pumping upon death, and there’s are loads of them littered about the cemetery.

I feel these pages widen the gulf between Bloom and the other men. He is just traveling in a different world. He has such a different perception of the  motions they go through around the funeral. He’s nearly incomprehensible to them. Powers didn’t think twice about his words on suicide because it never occurred to him that anyone of them would have been affected by it in the way Bloom had been.  John Henry Menton can’t wrap his head around why anyone like Molly would be married to him. I feel it’s not out of malice that he’s excluded, he’s just occupies a different space.

My question for you guys is how this all pertains to Joyce’s idea of Catholicism. Being raised Catholic myself, I feel that the Mass is too easy to be detached from. You are not participating in it. It’s as if you’re watching a play. I’ve found that no matter how hard you try when sitting through a Mass you’re min inevitably goes astray, repeatedly. This would have been made worse before they used the vernacular as the language of the Mass. Perhaps everyone else around him was just doing their best to look pious while their minds went adrift as well. Those of you who know Joyce better than myself (doesn’t take much, frankly) do you see this chapter as a commentary on how he felt about the Church and its rituals?

ULYSSES pp.87-93 “Hades”

By KATIE ELSE

Let me just begin by saying that I am enjoying being inside Leopold Bloom’s head far more than Stephen’s. I find him a much more sympathetic, empathetic and accessible character.  In the first pages of this chapter, the subtext and the… well, obvious text give us insight into these two men.  Let me share my tweets:

87. We meet Martin Cunningham, Mr. Power, Simon Dedalus (in person) getting into the carriage in front of Dignam’s with LB in last.

88.On their way thru town to funeral.LB points out Stephen to Simon.Simon asks if BM is w/him. Rants about how much BM sux.LB thinks of Rudy

89. LB reflects on Milly growing. Men express disdain for crumbs in carriage. They get stopped at the grand canal.

90. LB thinks of his father’s death and the dog, Athos, he inherited. Men chat about weather, mock a few mutual acquaintances, read obit

91. LB tries to remember what he did with letter,passes Blazes Boylen just as he’s thinking of him, examines nails and tries to ignore him

92. LB talks of Molly’s tour w/the finest musicians, dwells on Power calling her Madame, thinks of her then of Powers alleged mistress

93:Men spot Dodd a jewish money lender all have been to but LB. LB tries to tell funny story about Dodd & his son but MC keeps interupting

This chapter beings around 11am with the men are getting into the carriage which will take them to Paddy Dignam’s funeral, in front of Dignam’s home. We are introduced to Martin Cunningham, Jack Powers and Simon Dedalus who we finally meet in person. They enter the carriage with Bloom pulling up the rear setting the stage to portray Bloom as an outsider.

The carriage carries the men through town in the funeral procession.  Bloom recognizes Stephen Delalus and points him out to his father. This is where we gain some insight into Stephen’s relationship with his father. I can’t really see the warm and fuzzies between the two.  And it seems Simon could benefit from some anger management or, at the very least, thinking before he speaks.

Simon is concerned as to whether Buck Mulligan is with Stephen. This launches him into a rant about Mulligan’s character on par with the Real Housewives of New Jersey . The colorful language and lack of restraint paint him to be a bit of a loose canon. His threats go as far as a strongly worded letter to his mother or aunt and the promise to “tickle his catastrophe”, catastrophe being slang for buttocks, or so the internet tells me. Let’s just say I wouldn’t want to be a fly on the wall for that one.

To me it seems this is well-meant paternal concern gone awry. It seems Bloom sees it the same way. At first, he’s put off by the tirade but it leads him to thinking of his own son’s death, what it would have been like to have had him grow up, the day of his conception and he concludes Simon is right to be upset.

But it seems Simon snaps more than he speaks showing us something about his temperment.  “It’s as uncertain as a child’s bottom” he blurts out in regards to the weather, which one of my personal faves. I’m hoping to add that one to my repertoire and work it into conversation as much as possible.

The theme of fathers and sons is touched on again when Bloom thinks of his own father’s premature death. This thought is triggered when he sees the Gasworks while they are stopped at the grand canal (the first of four rivers they cross on their way to the cemetery which symbolize the four rivers of Hades). Bloom is now fatherless and has lost his son; he is the end of his lineage, isolated.

What we see of this carriage ride so far shows us that he is isolated amongst his aquaintances as well, an outsider. There are small hints, Dedalus cutting him off from reading the obituary they mentioned (presumably because it was inappropriate), Power’s veiled insult in calling Molly “Madame” alluding to something promiscuous about her. Then right as Bloom’s thoughts wander to Blazes Boylan, they pass him on the street. He can’t understand why everyone is so taken with the “Worst man in Dublin”. He mentally disengages my concentrating on his nails.

The awkwardness really gets dialed up when they pass by Rueben J. Dodd, a Jewish money lender. The three Irishmen share an obvious disdain for him and alientate Bloom from the pack in mentioning that he’s the only one who hasn’t borrowed money from him. The obvious division here is one of religion.

Bloom tries to chime in with a (not so) humorous story aout Dodd’s son nearly drowning. Cunningham interrupts him repeatedly and ends up telling the story instead (no doubt because he’s Irish and has the gift of  the Blarney) putting him in his place once again.

There’s an obvious ‘you vs us’ vibe happening. I’m not quite sure (this being my first read) if Bloom is fully aware of how the others view him. He picked up on the ‘Madame’ comment and had a hard time letting it go. But he seems to remain fairly jovial, even after Cunningham railroads his story.  Do you think he has just accepted that is how he is viewed in Ireland, that he will always be somewhat of an outsider and has comes to peace with that? Or is he mildy oblivious to that fact? I’m sure this carriage ride to Hades will reveal more as we go along.

Throughout all of this we get hints that Bloom is an empathetic creature. He puts himself in the shoes of crazy talkin’ Simon Dedalus and determines he would be defensive of his son too. I was struck by something he thought in regard to a man he saw working the rails:

“Couldn’t they invent something automatic so that the wheel itself much handier? Well but that fellow would lose his job then? Well but then another fellow would get a job making the new invention?”

You see his pragmatism in wondering if they couldn’t be doing something more efficiently. Then you see his empathy in wondering how is would affect that particular man. Then it’s a mixture of both in that it could be beneficial for someone else and more practical. It leads me to think of how differently he relates to the physical world around him as compared to Stephen. Stephen has a hard time taking things in and processing them, he seems to be neither practical nor empathetic. He has a hard time connecting to the world around him and other people. He’s is stuck in this self-centered, cerebral space. That is his isolation. Blooms thoughts are so much more fluid. He associates things easily. And while he is isolated in a different way, he tries to relate to and empathize with other people instead of just thinking of himself. Can you think of other examples of how Bloom does this?

I think this is long enough, folks. I’ll hit you tomorrow with more from the carriage ride to Hades….

A “Lotus-Eaters” Preview And The Merits Of A Kinesthetic Learning Approach To Ulysses

by BEN and ERIN VORE

We’ve got our work cut out for us. After Lizaanne very capably and efficiently funmarized “Calyspo,” the bar has been set quite high for “The Lotus-Eaters.” We will begin tag-twreading it tomorrow with posts to follow.

In preparation for our assignment, and to immerse ourselves in all things Joyce, one of us has been wearing an eyepatch ever since Wandering Rocks launched.

Yarrrrr, matey!

This led to the following conversation which took place in the Vore bathroom this morning:

BEN [sitting on toilet]: I notice you don’t take your eyepatch off when you shower.

ERIN [in towel and eyepatch]: Yeah. So?

BEN: It’s really starting to smell.

ERIN: You’re taking a dump and you’re telling me my eyepatch smells?

BEN: I’m a kinesthetic learner. If I want to really understand Leopold’s scatalogical fetishes, I’ve got to walk a mile in the man’s shoes.

ERIN: You’ve been on the pot since Thursday.

BEN: Have I?

ERIN: And you’ll never finish “The Lotus-Eaters” episode so we can write it together if all you do is read — and then wipe yourself with — a prize titbit titled Matcham’s Masterstroke.

BEN: But it’s quite good! It has inspired me to manage a sketch.

ERIN: Has it.

SCOOTER THOMAS [sauntering into the room]: Mkgnao!

ERIN: I never saw such a stupid pussens as the pussens.

BEN: Wait. Is he wearing a little kitty eyepatch too?

SCOOTER THOMAS: Mrkgnao!

BEN: That looks ridiculous on him.

ERIN: I think he looks cute.

BEN: And Leopold thought cats were the cruel animal.

ERIN: Hush. Tell me — which dress goes best with my eyepatch?

The marital hijinks and astute literary analysis continue tomorrow!

Bring on The Lotus Eaters!

(Mrkgnao!)

ULYSSES Funmary #4: Calypso

By LIZAANNE

All right, Folks, it’s time for another funmary!  Let’s hear it for Calypso!

The Calypso section serves as an introduction to Leopold Bloom, his family, his personal issues, and his role in the novel. 

In this chaper, Leo is the active character.  He’s the Energizer Bunny as he makes breakfast for himself, his wife, and the cat; goes to the butcher; gets the mail; defines a word for his wife; promises to return a library book; eats a kidney; reads a letter from his daughter; uses the outhouse; and throughout, he daydreams– particularly of lush gardens.  

Continuing with the Homeric parallels, the *Calypso* here is Molly Bloom.  She is still and quiet (except for her bedsprings).  She sits in her room as the queen bee at the center of her universe as Leopold buzzes busily around her.  Molly is the nymph of the title, holding Leopold to her; poor Leo is as effectively caught in a honey trap as Odysseus was.  The contrast, though, is that Leo is not desperate to leave [though he suspects her of cheating]. 

As Hermes arrives to Calypso’s island, so also several messages arrive to the Blooms, but unlike Zeus’s missive, these letters do not set Leopold free.  Instead, they tie him further to his family by reminding him of his and Molly’s daughter & their son. They also sour the honey a bit by reminding Leopold of Molly’s unfaithfulness.

Calypso gives us our first glimpse at Leopold in contrast to Stephen. To finish our funmary, let’s take a quick look at this awesome two-some: 

Stephen: is so over-educated that everything reminds him of a line of poetry; estranged from his father & uncle; Catholic; desperately single; poet who is teaching; booted out of his tower by roomate

Leopold: has trouble remembering history lessons and multiplication tables; strongly connected to wife & daughter; Jewish; married; salesman who is an aspiring writer; didn’t want to disturb wife in her room

Both: thinkers & daydreamers; have a dead family member & are both in mourning black; don’t practice their religion but are strongly influenced by it ; live on the edge of poverty; have no key to their homes 

Quite the pair.

ULYSSES pp.66-70, “Calypso”

By LIZAANNE

Welcome back.  Now that your tummies are full, settle into your seats for the final leg of our tour through “Calypso.”  If you look out the windows to your right, you will see tweets:

66-Milly’s letter:dad’s girl having 1st adventure; LB thinks of her birth & little boy who died @ birth; LB=fond but not overprotective dad

67-LB recalls Milly’s adolescence; regrets that he can’t keep her innocent & connects to “seaside girls”; LB picks what 2 read in outhouse

68-LB considers planting a garden; wonders about where he left his hat & if he’ll have time for a bath; uses “jakes” w/ door open; reads

69-“titbit” parallels to LB’s toilet use; wishes were writer; recalls scribing conversations w/ Molly; remembers morning after met Boylan

70-LB converts story to toilet paper; inspects suit & wonders what time is funeral; hears churchbells & ends w/ “Poor Dignam!”

In the continuing theme of how different Leo’s life is from Stevie’s, we are treated here to a glimpse into Leo’s relationship with his daughter Milly.  Now, we have previously heard a considerable amount about dysfunctional fathers and sons in Ulysses.  Here, though, Leo’s Milly is quite the “daddy’s girl,” and Leo himself seems to be a caring and gentle father.  He misses his daughter and thinks about her on her first birthday away from home.  He plans to visit her soon.  Leo remembers her birth with joy (as well as recalling with sadness his still-born son four years later).  Leo worries about her budding sexuality and the inevitability of  her losing her innocence, but he knows that he cannot stop her from growing up.  He can only hope that working and living in a new city will keep her busy and away from boys for a while longer.

If the hints of “seaside girls” and scandalous picture postcards are to be believed, though, Leo’s hopes are in vain.  Milly, at fifteen,  is having grand adventures as a model at the seaside.  She has escaped the mundane routine of her family home  and has embraced a rather bohemian lifestyle [dear readers, please recall Stephen’s efforts to do the same in Portrait].  Her letter, despite her poor grammar, shows us how much she is enjoying her new life and how much she loves her parents.

Interesting note– while Leo is daydreaming about the garden he will probably never plant, he also wonders where his hat is and why the hat and umbrella stands were too full: “Hallstand too full.  Four umbrellas, her raincoat” (68).  This bit indicates that perhaps Molly has had a visitor of whom her devoted husband is unaware?

Alright– we can’t avoid it any longer–the outhouse.  Joyce does give us a short quote to explain why this vignette is included: “Dirty cleans” (68).  Leo has a determinedly scatalogical streak, which he ever-so-kindly shares with us by leaving the outhouse door open in the final pages of this section.  Two things (no, will NOT make the cheap joke) to note here: 1-Leo enjoys the slight danger of being seen.  He seems to regret that the neighbors are away from their porches and windows.  This personality quirk will develop more as we learn the purpose of that hidden paper in his hatband.  2-Leo’s methods of literary criticism lack delicacy.  The story he is reading seems to be a moralistic and very shortened “epic,” of which he distinctly disapproves.  The Bloomsday book draws parallel here between the ending of Proteus, where Stephen tears a page from the excremental treatise to create poetry and the ending of Calypso, where Leo tears a piece of creative writing in order to remove his excement.

As this section ends, we leave Leo standing in his weedy garden, listening to churchbells and thinking about his dead friend.  Quite a sobering conclusion to what has, overall, been a section full of the joie de vivre lacking in Stephen’s internal monologues.

And we have successfully arrived at the station!  All ashore who’s going ashore!

As you disembark, some questions for discussion:

-Do we find Leo’s descriptions of his daughter’s sexuality simply honest or mildly creepy?

-Throughout this section, Leo has had a preoccupation with plants, gardens, and fruit.  Why are they so symbolic for him?

-Would you be interested in reading a bedroom sketch by Mr and Mrs L. M. Bloom?

Essay question:

In Leo’s flashbacks to his mornings with Molly  (particularly the morning after she met Boylan) have several elements in common with the novel’s opening set-piece between Stephen and Buck.   List and explain the significance of these parallels.

ULYSSES pp. 60-65, “Calypso”

By LIZAANNE

Now that we’ve all had a chance to refuel (with our beverage of choice), time to get back on track with the next few pages of Calypso.  While the rest of the passengers are boarding, let’s take a few moments to review my tweets covering this section.  Pay careful attention, please, because Joyce loads us up with insight into Leopold and Molly Bloom over the course of these 6 pages:

60-LB buys sausage, avoiding eye contact w/ butcher; saunters back towards home, reading posters cut sheets adverting far-away farms; leads 2 daydream

61-recalls estranged friends; cloud brings dark thoughts of barren land & people; thinks of home & Molly 2 cheer up; @ home finds mail on mat

62-LB delivers postcard & letter 2 Molly in bed; moves dirty clothes; makes tea; cooks kidney; scans letter from daughter w/ fond memory

63-LB takes b-fast tray 2 Molly, sees she has opened letter; LB lavishly describes her body; letter is from her manager Boylan about concert

64-M asks L 2 define “metempsychosis” from her smutty book; he tries; he recalls day they met & how much he hates circuses; M wants new book

65-still explaining migration of souls; puts book in pocket; kidney burns; LB rescues it & eats alone in kitchen; thinks of daughter’s note

 Let me ‘splain– no, there is too much.  Let me sum up:

 1. Leo here follows the plan that he set out for himself earlier in the section, so we can see he is goal-oriented, which fits what we already know of him as a businessman.  He has his day planned out carefully.  So carefully, in fact, that he refuses to acknowledge any connection to the butcher (just as he previously only made small-talk with the store-keeper), lest it lead to something for which Leo is unprepared: “No: better not: another time” (60).  [side note– his reaction to Molly’s novel is certainly startling.  Who knew that Leo circus-o-phobic?]

2. Leo multi-tasks at home as he does the job of both husband and wife (cooking, tidying, bringing in the mail, organizing laundry, etc) because that slovenly, slug-a-bed Molly has yet to arise from her Spanish?, squeeky-springed mattress {as the astute Scooter Thomas noted, she is an excellent napper}; although she does awaken enough to gobble her breakfast and to clandestinely read the letter from her lover, Boylan.  

2a. As the first female character to be properly introduced in the novel, Madame Molly does not demand our sympathies.  Instead, she plays the part of the over-indulged and over-sexed nymphette to a tee (by having her tea and drinking it too, so to speak). 

2b. However, we do have her question about “metempsychosis” to thank for illuminating a central premise of this novel: the transference of Odysseus’s spirit into Leopold.  There’s also a nice little example for us pointing to Molly as a nymph.

3. Despite his domestic placidity, however, there are dark depths to our Irish Odysseus.  During his trip back home from the butcher’s, Leo is unexpectedly overcome by a wave of despair (interrupting another lovely daydream of ripening fruit in the Promised Land) when he sees a cloud pass over him–an example of pathetic fallacy in reverse.  This incident, although Leo dismisses it out of hand as “morning mouth” (61) clearly throws him off his stride.  It echoes Stephen’s previous imagery of barren lands and sexually-unproductive women, here with the added themes of the lost and abandoned Israelites throughout the world.  Leo’s feelings of loneliness and disconnection also match Odysseus’s emotions as he weeps at the shore of Calypso’s island. 

3. In another of his refreshing contrasts to Stephen, though, Leo does not wallow in his misery.  Thoughts of Molly lift him out of his funk and cheer him as he arrives home.  Thus, Leo manages to score two points up on our Stephen in that he successfully makes it back home without his key and he does it cheerfully [interestingly enough, Leo brings himself back by conjuring up pleasant sensory images– echoing the experiment Stephen was trying earlier]. OH– make that three points, Leo actually likes his family members and recalls them fondly, as evidenced by his brief flashback to when young Milly gave him the mustache cup for his birthday. 

Right, time for nibbles and questions.  Buy some sweets from the nice lady’s tray– mind the chocolate frogs. 

Questions for discussion:

–How many sexual innuendos did you count in these 6 pages?  The “tender gland” one doesn’t count as it is too easy. 

–What do you think was REALLY in that letter from young Master Boylan?

–Would you like to see the Blooms on an episode of “How Clean is Your House?”  Explain using details.

–Calculate the probability of the word “metempsychosis” appearing in an dirty novel about circuses to at least 10 decimal places.

Bonus points: 

 a. Jerry mentioned several posts ago that each section has its own color.  Can you identify the color for this section? 

b. Did you catch the cameo appearance of rosy-fingered Dawn?

Some Stuff To Know About Ulysses Before Reading It, Part 2: Ulysses and Exile

By JERRY GRIT

“You have to be in exile to understand me”
–J.J.

For “Lost” fans, I’m posting my next set of bullets to the theme of exile in Ulysses. The theme of being home-but-not-at-home resonates with the show in many ways. I’ve saved my comments on the show and Ulysses for the end.

• Although the story is set in the Dublin, the home of main characters Leopold Bloom and Stephen Dedalus, these two avoid their nominal homes. They are exiles in their own city.
• Joyce very much felt himself an exile. He wrote a play called “Exiles.” He lived most of his life in self-imposed exile from Ireland, moving to Greece, Zurich, Paris. One reason: He and Nora Barnacle boinked in sin (a big “no” in an oppressively religious country). Another reason: He wrote freely about masturbation and the pleasures of defecation. (More on that later!)
• Joyce is voicing his own sentiments when Dedalus remarks in A Portrait of the Artist as a Young Man: “When the soul of a man is born in this country there are nets flung to hold it back from flight. You talk to me of nationality, language, religion. I shall try to fly by those nets … Ireland is the old sow that eats her farrow.”
• For Dedalus in Ulysses, he’s still caught up in nets of nationality, language, and religion…leaving him unsettled in Ulysses. In perhaps the biggest “wah-wah” moment in western literature, after Dedalus’ dramatic resolution to leave Dublin at the end of Portrait to go to Paris to become a famous writer, we find him back in Dublin at the beginning of Ulysses having completely flubbed his escape, slumming in a tower with a bunch of douchebags.
• For Bloom, he is exiled by his own feelings of impotence (unable to satisfy a wife he loves) and guilt concerning his son’s death (death from illness, Bloom feels his deficient genes or a turn-of-the-century “life-force” were responsible…or something like that).
• For story purposes, characters in exile is useful. Ernest Renan (I think) once described how feeling unsettled and “not-at-home” (unheimlich) is a moral feeling because it forces you to reconsider your established beliefs and life or whatever. So to have characters feeling “not-at-home,” you have them extra-sensitive to the strangeness of themselves and of their surroundings. Internal monologue, the style for a lot the book, is especially suitable. We’re confronted with their amplified sensitivity and uncertainty.

“LOST” AND ULYSSES

As the survivors return to the island toward the end of Season 5, Benjamin Linus is seen reading Ulysses (and the evil-or-good genius that he his, he bought the 1961 Vintage edition). I think it underscores the larger theme of exile and the longing for human connection in the show, but also draws attention to specific aspects of Ben’s character.

Ben Linus (“L.B.”; Leopold Bloom=”B.L.”) is very much a Bloom-like character at this point in the series. He is returning to his home, the island (Ireland’s on an island?). But he’s been ousted as the Others’ leader, and teleported by that steering-wheel-in-the-wall-with-ice-on-other-side thing. Ben, too, will be an exile in his own home. And once he’s on the island, he’s unsettled. He can’t get into shenanigans like the old days. I think it makes him a more likable and likely character, but also a vulnerable one, much more easily manipulated by black smoke and alterna-Lock. He once had the wit and cunning of an Odysseus, but now has the reduced status of Bloom. And like Bloom, he’s also haunted by a child who’s death he feels responsible for. But, sadly, he has no Molly. Or even a Stephen. Or does he? Might we look to Ulysses for clues to Season 6?

Plan for Action, Suggested Reading List, Note on Editions

By JERRY GRIT

PLAN FOR ACTION

We’ll read the first page of Ulysses on June 16 (to commemorate the date upon which Ulysses takes place…June 16, 1904). I’ll lead the discussion with a post on that day. Then we’ll rotate…alphabetically? age-wise? arm-wrestling contest-wise?…and the next person will decide how much we read and what we’ll discuss next. And we’ll try to do it on a weekly basis.

Before June 16th, do what you can to at least familiarize yourself with Homer’s Odyssey. It’s not essential to reading Ulysses, but it does help. The Odyssey is the framework used by Joyce to give shape to the encyclopedic mass of allusions and plot, and it does add deeper significance to your own reading experience to be familiar with the tradition Joyce set his tale in. Maybe we can do some preliminary postings on the Odyssey before the 16th?

And you are absolutely encouraged to invite anyone you think might be interested in participating. 

SUGGESTED READING

Suggested reading before June 16th, in order of importance:

• The Odyssey, Homer
• Portrait of the Artist as a Young Man, Joyce
• Joyce, Ellman
• Hamlet, Shakespeare
• Dubliners, Joyce
• Divine Comedy, Dante
• Faust, Goethe (I dare you.)

Suggested Films: Hamlet, Nora (based on Joyce and Joyce’s wife), Michael Collins, Wind That Shakes The Barley (these last 2 films are set more than a decade after 1904, but they give a good depiction of the political tensions in Ireland…and Joyce wrote well after these events took place), and Red Dawn. 

NOTE ON EDITIONS

Finally, for Ulysses, I’ll be reading from the “Complete and Unabridged Text, as Corrected and Reset in 1961” put out by Vintage. There’s also the infamous “Gabler Edition” put out by Knopf Doubleday (with the lame modernist rendering of the title on the cover). I strongly recommend the former, for reasons I’ll give if you really want. Reason 1: Gabler’s a douche.

Get this one!

Wandering Rocks

By JERRY GRIT

I chose “Wandering Rocks” to title our endeavor to collectively read Joyce’s Ulysses for both its multiple layers of significance and because it is a lame pun, which is all very Joycean. I was going to call it “Wandering Cephallenians” (don’t ask)…but I think this is a little snappier. 

“The Wandering Rocks” is the title of book 12 of Homer’s Odyssey. Joyce uses the Odyssey to structure Ulysses, which depicts the day in the life (June 16, 1904) of 3 main characters: Stephen Dedalus, Leopold Bloom, and Molly Bloom (whose Homeric parallels are Telemachus, Odysseus, and Penelope…and whose names also have multiple layers of significance). “Wandering Rocks” figures as “chapter 10” in Ulysses.

In the Odyssey, this chapter’s action-packed. Odysseus sails through Scylla and Charybdis, dangerously listens to the sirens, and gets his entire crew killed. But no actual wandering rocks. They are apparently too scary for Odysseus to take on. Here’s the summary from the Gifford Ulysses Annotated:

In Book 12 of The Odyssey, Odysseus chooses to run the passage between Scylla and Charybdis rather than attempt the Wandering Rocks, which Circe describes as “drifters” with “boiling surf, under high fiery winds,” remarking that only the Argo had ever made the passage, thanks to Hera’s “love of Jason, her captain” (12:65-72; Fitzgerald, p. 223). Thus the episode does not occur in The Odyssey. The Wandering Rocks are sometimes identified with the Symplegades, two rocks at the entrance to the Black Sea that dashed together at intervals but were fixed when the Argo passed between them on its voyage to Colchis.

(from Don Gifford with Robert J. Seidman, “Ulysses” Annotated: Notes for James Joyce’s “Ulysses” [Berkeley: University of California Press, 1988], p. 260

So in the Homeric parallel, our endeavor represents what is extremely difficult, often avoided, but which can be managed with a little love (from each one of us…aw). It also portrays Odysseus’ lame leadership skills, which should be warning to you all about me and my nominal role here. Don’t bother with what I say, or you will probably die…but I guess the sailors do die because they don’t heed Odysseus’ warning. So maybe it’s the opposite. Listen to me and you won’t die. Whatever.

I’m more excited about the lame pun. We’ll be like “wandering” through the text, as we follow Leopold and Stephen as they wander through Dublin, and as Molly wanders through her own mind. We should also be “wondering” at the text (both in the “wow” and “wtf?” senses).

And “Rocks” could be read as both a plural noun and a verb. As a noun, we’re like the rocks (“dumb as a rock”; “that dude is a total rock”; etc.) reading through Ulysses, trying to make sense of it with our limited training in classical literature and familiarity with the Dublin street grid circa 1904. And our endeavor will also “rock” in with Twisted Sister-esque loose, transgressive fun!

Won’t you rock and wander/wonder with me?